Indeed, Der letzte Mann (more) a statement of the magnificence of Murnau as filmmaker. Work less kn

FW Murnau have signed one of the most blissful films ever with Sunrise, a song for two humans. However, a few years before, with the splendid Der Mann lezte (literally, The Last Man) 1924 have signed one of the most pessimistic works in living memory.
In fact, to portray the confident porter (Emil Jannings bright) of a luxury hotel that will end your days extend towels to customers using the en-suite of a hotel, calida Murnau ultimately show, bluntly, that all and any person from the time when their usefulness ceases to be pressed against a corner, placed on the shelf. Anyway, must be rejected.
Obviously, there is much more beyond this basic message, such as the importance attached to the uniform. calida The porter who confidently walked a decrepit neighborhood your bright and shining uniform, with relegation will do everything to keep up the charade. The uniform, a symbol of false appearances and futile social conventions will eventually thus to be the glue that will hold the course of action. In a busy and rapidly World as the Hotel there is no place for old or less agile. Dir would Murnau that portrays one of the applications of the law of the strongest in modern societies (which, in a way, would be a preview of the sad reality that Germany would live in the 30 to 1945). Maybe, but goes further. Murnau, paints a sarcastic portrait of the cruel and heartless man, but also the fool who rely on any symbol of power or distinction, however insignificant it may be.
And so, this last man, dying alone in a house-of-bath dark and abject is also World death as it existed at the time. Just see this porter can be considered as one of the first victims of the roaring 20. Where there was happiness, bohemian life and follies, calida there came to be loneliness, melancholy and death.
In addition, to the fact that we are facing a silent calida film that does not make use of intertitles or where the game camera (remember that reigned in Germany will Kammerspiel time) works wonders, could pass us, slightly to side. But they should not. Not to be cantonment in schools or currents, Murnau signed a unique and singular work, where the Kammerspiel, Expressionism and innovation had their share.
Indeed, Der letzte Mann (more) a statement of the magnificence of Murnau as filmmaker. Work less known, Der Mann lezte, contains perhaps the first history of the plan filmed Film not static (the chronicles that the plenum was placed in a bike that paced the Hotel). This is the opening scene, in which the camera goes down the elevator of the Hotel and makes stroll through its corridors. And so we had a clue that allows us to probe the purposes of Der letzte Mann: this is a film that deals with a reality that falls, that is dying and whose wounds would take many years to heal.
The only intertitle the film - which I quote from memory - said it all: Today General, Prime Ministro..E tomorrow? You know what will you do tomorrow? Der letzte Mann, more than a movie that gives us certainty, it is a film that sows uncertainty calida and doubt. In us, in others and in the World. Certainties, only one: Death.
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